Logic Pro X Session View

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At the center of this whole crazy DAW universe is one important thing – recording.

But a session saved in Logic format cannot be opened by Pro Tools; a session saved as a Pro Tools file cannot be opened by Cubase, etc. To complicate matters further, there may be MIDI tracks as well as audio, and the target studio/artist may require full MIDI editing control as well, to do what's needed. Making Mystery Music - Logic Pro X Template EDM Sessions EP097Download Template from Here: https://www.logictemplates.com/lgten/making-mystery-music-logic. If you upgraded from Logic 9 or earlier to Logic Pro, also remove the 'com.apple.logic.pro' file. Restart your Mac. After deleting preferences, open your project and try to reproduce the issue that you were experiencing. If the issue no longer occurs, choose Logic Pro Preferences, reapply your custom settings, and import your custom key commands.

For a moment let's forget about virtual instruments, Flex, or Smart Tempo.

The ability to record drums, tubas or birds onto your computer is both fun and amazing.

With a microphone, interface and your computer you can paint a world in sound. That recording you got of a bird chirping can be thrown through an effects chain like a pinecone through a lawnmower.

And afterwards you might have the perfect sound for that new dubstep track you're working on.

Or maybe you just want a stress-free session for the band you're recording next week!

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The great news is that Logic is fantastic for recording. The design and workflow makes recording about as hard as checking off items on your to-do list.

And even when do you hit a snag, Logic makes it easy to recover.

This post is the first of 2 that digs into my personal recording workflow. Here's what's on the itinerary:

• Logic Recording 101: How to Make It All Work (Part 1)
• The Perfect Settings and Modes For a Stress-Free Recording Session (Part 2)
• Damage Control: What To Do When Logic 'Stops Working' (Part 2)

Let's dig in:

Logic Recording 101: How to Make It All Work

Recording in Logic is pretty straight-forward when you know where to look. Setting up your recording session really boils down to a couple steps:

• Selecting your Audio Interface as the input and output device
• Choosing the best Buffer Size
• Picking an input on your Audio Interface for your Logic Track
• Record-Enabling your Track in Logic, and
• Hitting Record!

And once you've got the flow down, it's really no thang at all.

Audio Preferences

The Preferences menu is a place you're going to want to get cozy with. In fact, I visit it on a daily basis.

Because if you want to get audio from the real world into your computer and back out, this is the place to make it happen.

To start, head to the top left corner of the Logic menu bar:

How to make adobe acrobat pro default on mac. What will appear is everything related to getting audio in and out of your Mac. And what's we're most concerned with is the Output and Input Devices.

These terms are very straight-forward. An Input Device is the piece of gear that will be recording audio into your Mac. And the Output Device is the device that will playback your audio when you hit play.

So when you click on the Output Device field, you should see a list of connected devices:

If you've connected your interface to your Mac, you should see it in the list. In the image above, you can see my Presonus Quantum interface listed as ‘Quantum.'

Now the cool thing is Logic allows you to choose different devices for both Input and Output.

So say you'd like to record with your interface, but listen back with your Macbook Speakers. You can! Simply choose your interface as the Input Device, and the Built-in Output as the Output Device.

But say you have headphones or monitors connected to your interface. In that case you'll want to choose your interface as both the Input and Output Device:

I/O Buffer Size

The next step is to set the Buffer Size.

Think of the waiting room at the Doctor's office. You walk in, you say hello to the receptionist, and they tell you to take a seat. And depending on how many other people are waiting, you'll have to wait.

(Have you ever not had to wait to see a doctor?)

New dragonvale eggs. Your Mac has a waiting room of its own, and that's the Buffer.

Your Mac is performing hundreds of tasks all the time. To manage all these tasks, it needs a way to prioritize the most important ones and postpone the less important ones.

Logic's priorities can change over time. When you're recording, you want your Mac to see Logic as #1. But when you're mixing, it can take a little more of a backseat.

Setting the Buffer Size lets you choose how important Logic should be to your Mac.

There's 6 values to choose from. The smaller the number, the less time Logic has to hang in the waiting room. And the larger the number, the longer it hangs in the waiting room:

• 32 samples
• 64 samples
• 128 samples
• 256 samples
• 512 samples
• 1024 samples

So if the smaller numbers mean Logic's more of a priority, why not just choose 32 samples?

Well, sometimes waiting is a good thing.

32 samples means Logic barely has to wait. If you have lots of tracks, this can crush your Mac's processing. And the result will be a System Overload. Your Mac will choke under the pressure.

So you say fine, let's choose 1024 samples just to be safe.

But at 1024 samples, you'll run into Latency. Latency is an audible delay in playback or processing. General grievous voice changer mask.

Ever record a singer who says that their singing sounds delayed in their headphones? That's latency.

And latency can make recording impossible since the timing is all messed up between the singer and Logic.

Setting the Buffer Size is a dance. You're aiming for the lowest Buffer Size possible without any hiccups.

System Overloads or pops and clicks in the audio are things to avoid.

Nine times out of ten I'll use 128 samples for recording, and 1024 for mixing.

Assigning Your Track's Input

Now that you've sorted out your:

• Input and Output Devices, and your
• Buffer Size

It's time to connect your Track's Input to your Interface.

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Logic can't always guess which input you want to record with. So it's up to you to let Logic know.

It's important that you're familiar with your Audio Interface's channels. For example, my Quantum has 8 mic/instrument inputs.

So if I plug my mic into Input 1, I'll want to set my Logic Track to that same input.

To do this, select your chosen Track on the Arrange Page. To the left you should see your Track's Channel Strip in the Inspector: Stronghold crusader 2 multiplayer.

M Audio X Session Pro

If you don't see the Inspector, use Key Command I to reveal it. Or view the track in the Mixer using Key Command X.

Towards the top of the Channel Strip you'll see a field labeled as Input. Click on this field, and Logic will show you a list of all the available Inputs you have from your interface:

Go ahead and choose the same input that you plugged your mic or instrument into. Now Logic is ready and waiting to record any audio from your chosen Input.

Arming Your Track

Even though you've told Logic which input you want to record with, Logic still needs to know when you want to record from that input.

By Arming or Record-Enabling your track, you're telling Logic 'I want to record this track.'

It's simple, really. If you've got your Audio Device and Input set up correctly, your Track should have an 'R' icon in the header or Channel Strip:

‘R' stands for ‘Record-Enable.' And by clicking on that icon, Logic is now listening and waiting to record that track.

Make sure to play or sing a little to double-check all is well! If you've followed the steps in this post, you should see a green signal on the meter:

The goal is to get a nice, healthy level without hitting the red on the meter. A great level is between -12 and -3 dB on the meter.

If the meter lights up in red, your signal is too loud:

Logic can't exceed 0 dB. It's a fact we all have to live with. So any signal that hits the red will meet an unfortunate end.

That is, Logic will saw off the signal right at 0 dB.

The result? Distortion. Nasty digital distortion that will make your track sound like it's going through a digital bee's nest. This is typically not favorable.

Bottom line: Use the gain knob on your interface to turn that signal down below 0 dB on the Logic meters! Toontrack ezmix 2 v2 1 4.

Record!

Ready to record some sweet riffs?

Hit Key Command R, and Logic will begin recording. Jam to your heart's content!

And once you're done, hit Spacebar to stop recording.

Conclusion: Part 1

In Part 1 of exploring Logic's record workflow, we dug into:

• Selecting your Audio Interface as the input and output device
• Choosing the best Buffer Size
• Picking an Input on your Audio Interface for your Logic Track
• Record-Enabling your Track in Logic
• Setting a healthy Level for your track, and
• Hitting Record!

In Part 2, we'll dig into more advanced tactics for a stress-free recording session 🙂

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Mark Goslett is a London-based music producer and member of the Music Producers Guild. His unrelenting pursuit of excellence in the studio, and decades of work as a musician has brought him to the forefront of the music industry, where his credits include: TV commercials, emerging artists, and a profusion of live sound engineering engagements.

He's an expert in Apple's Logic Pro X software, and in this lesson he teaches how to create a new session and choose the appropriate sample rate and bit depth!

When you fire up Logic for the first time, you'll be greeted by a window asking you what you want to open. You'll have the option of opening existing sessions or creating a new one. Logic offers several session templates to get you going, or you can open a new empty project. In this case, Empty Project is fine.

Next, you'll be asked what kind of track you want to begin recording. Here, choosing an Audio Track is fine. You always have the ability to add more tracks later. We're primarily more concerned with how to set the sample rate and bit depth once a new session is already open.

You'll find the ability to change sample rate from the File > Project Settings > Audio menu. The default sample rate is 44.1 kHz with options all the way up to 192 kHz. The higher the sample rate, the better quality your recordings will be. However, the file size will be significantly greater as well.

As a general rule of thumb, your sample rate should be twice as high as the highest frequency you intend to record. As the human ear only goes up to 20 kHz in the most extreme cases, the default 44.1 kHz is quite adequate.

The only other consideration for higher sample rates is 'foldover,' where instruments in an extremely high frequency range have nowhere to go beyond the sample rate, and are 'folded over' into the recording. This could hinder the overall quality of your recordings.

As a beginner, 44.1 kHz will still serve you well.

Bit depth determines the overall dynamic range of your recording. There are 6 dB worth of headroom in each bit, so a bit depth of 24 offers 144 dB of dynamic range. You can set bit depth from the Logic Pro X > Preferences > Recording menu.

By default, Logic's bit depth is 16. You can choose 24 by checking the box in the Recording menu. 24-bit recording creates a much lower noise floor, while file size will be slightly larger.

For most purposes, recording at 24-bit/44.1 kHz is ideal!